Ensure precision consistency with content-aware batch editing
Color AdjustmentBatch EditDehazeLight AdjustmentSplit ToneFilm Editing
Open in Facet
Parsons grad Kevin Sikorski corrected color in Facet to match the real lighting conditions from his film shoot of model Mario Adrion. The original film scans resulted in images that just didn’t “pop” the way Sikorski experienced the real-life setting to do. So, using Facet’s Automasking and Batch Editing, Sikorski simultaneously applied color corrections to all the images in the set for a consistent look.
Next Up:Create sci-fi vibrance meets historical monuments look